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Lee's portrayal became so popular in Hong Kong (his Chinese home town) that the show was retitled when broadcast there.
Because Lee himself was a martial artist, his Kato demonstrated those skills in the show (although the radio series made isolated references to Kato's ju-jitsu expertise, martial arts skills had never been an important part of Kato's characterization in either the radio series or film serials), and this development has had a huge influence on later Green Hornet adaptations: rumors of various proposed film adaptations have universally had a martial arts star being cast in the role of Kato, and it is now probably unthinkable for Kato series already featured a police commissioner as a supporting character, District Attorney Frank P.
Trendle (hired by Dozier's Greenway Productions as a consultant) quite a bit of control over the series, up to and including approval of series scripts.
Trendle was wedded to the idea of doing the series as a straight adaptation of the radio series, whereas Dozier wanted to modernize the setting of the series while introducing camp elements similar to those used in Dozier's then-current hit series .
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The serials are noteworthy in that Kato's nationality was changed once again (this time to Korean), and Kato was played by Keye Luke ("Number 1 Son" in the "Charlie Chan" film series, and much later, "Master Po" in the , occasionally appeared as a news anchorman on Reid's station).
While hinted at in earlier episodes, the blood relationship between the Hornet and the Ranger was explicitly stated in the episode "Too Hot to Handle" (first airdate, November 11, 1947), but never significantly used after that.In reference to the origin/center of the target, the practice targets were alike in objective difficulty and indeed participants in both groups were not different in their objective practice performance (i.e., radial error from the center).However, because the participants were not asked again in retention, it is possible that the enhanced feelings of efficacy carried through to retention and potentially impacted performance at the moment of testing in retention in addition to or instead of during the consolidation interval.In one episode ("Seek, Stalk, and Destroy") Kato uses a "tear gas dart", which he throws into the open viewport of a stolen tank in order to force the tank thieves out of the tank and into the open.
The terms under which executive producer William Dozier acquired the rights to gave radio series creator George W.
As such, adaptation effects are thought to have limited applicability to other motor learning tasks that require adaptations to errors that are naturally occurring consequences of a normally calibrated sensory system (e.g., throwing a dart too high or too low).